Humour is the foundation of a cartoon and it is its limitation. Attempts to rationalise humour in terms of today’s utilitarian social structure probably explain why political cartooning, and the genre of cartooning as a whole is a dying art. In a fast-paced environment such as the internet, memes emerged as a one-dimensional satirical illustration; they don’t engage with the issue and, therefore, their moral message and practical impact are limited.
Can memes revive political satires and cartoons?
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